1d ago
New

AV & Stadium Production Crew - Gameday Role

mid
Other
0 views0 saves0 applied

Quick Summary

Key Responsibilities

The Audio Engineer manages live sound mixing on a broad array of professional consoles, from DiGiCo (SD and Quantum) to Yamaha (QL, TF and DM) and Behringer (X),

Requirements Summary

At least one year of proven experience in operating professional AV equipment, including digital audio consoles, wireless microphones, video playback systems, cameras,

Technical Tools
Other
The Tennessee Titans are expanding the A/V & Stadium Production Crew to serve “Nashville’s Biggest Stage” – the New Nissan Stadium! Audio Visual Technicians will support both private events and major events.   NOTE: This role includes off-property events throughout the Nashville metro area, therefore a reliable form of transportation is required for this role.   Primary Responsibilities Set up, operate and/or strike AV equipment for both private and major events at Nissan Stadium Ability to fulfill your role at its utmost level (listed below) Troubleshoot and resolve technical issues during set up and operation as needs arise Assist with repairs and general equipment maintenance including organizing equipment after each event, reporting damaged or missing equipment Follow Nissan Stadium Production Guidelines including providing world class customer service for Nissan Stadium employees, vendors and event guests A1: The Audio Engineer manages live sound mixing on a broad array of professional consoles, from DiGiCo (SD and Quantum) to Yamaha (QL, TF and DM) and Behringer (X), ensuring clear and balanced audio for the audience. Experience with Dante protocol preferred. Set up, test, and operate audio equipment (including portable PA systems), collaborating with the production team to achieve optimal sound quality. This role requires expertise in audio engineering, proficiency with multiple consoles, and strong problem-solving skills under pressure if needed. A2: Support the Audio Engineer by setting up and managing audio equipment, including portable PA speakers, microphones, and wireless systems. Assist with audio transitions and troubleshoot technical issues. This role requires a solid understanding of audio principles and familiarity with professional audio equipment. AV Engineer: Support the AV Systems Engineer on gameday and non-event days in maintenance and operation of TVs, Audio, Video, Event based systems. Not limited but including QSC (Q-SYS), Vitec, Visionary, L’Acoustics, Microsoft Teams, Logitech, LED Processors, etc. QC of channel lineups, Suite and Club operations, touch panels, BOH routing for video and audio. Comfortable working in heights/lifts/scaffolding. Fall protection certification is a plus. AV Tech: Set-up, operate and strike a variety of stadium events providing support with both Audio (microphones, speakers, mixers) and Video systems (video playback, TVs, LED displays, switchers). Must be able to run and wrap cables neatly and safely and have an aptitude to fix technical problems quickly. Camera Operator: The Camera Operator captures high-quality footage during live events, working closely with the director to achieve desired shots. They set up, operate, and maintain camera equipment, ensuring optimal performance. This role requires technical proficiency with Sony cameras, excellent communication skills, and the ability to adapt to dynamic environments. Director: The Director orchestrates and executes the plans for live event production to ensure all audiovisual elements are delivered, including running cues and manage the live flow of the event. Must be able to communicate well in a fast-paced environment, anticipate and navigate through possible unexpected changes. Grip: Support stadium production and events by loading-in, setting up, and striking equipment. Run, wrap, and dress cables neatly and maintain safety standards. Build and position camera support (tripods, large lenses, jibs), secure equipment (straps, safety lines, weights). Clean and maintain equipment. Must be able to lift heavy equipment. LED Technician: Setup, operate, and maintain portable LED walls. Handle panels, possible rigging or ground-stack structures, video processors, and power distribution. Includes calibrating, troubleshooting and tearing down displays. Experience with touring or rental LED systems preferred, and proficiency in processors like Brompton or NovaStar. Must be able to lift heavy equipment and work at heights. Lighting Director: Design, setup, program, and run lighting for events and stadium productions using grandMA and/or ETC platforms; comfortable with LED, moving light and architectural systems. Working knowledge of DMX, Art-Net and sACN and timecode integration. Replay Operator: Operate EVS systems to capture, organize, and playback game footage. Select and assemble replay sequences, create highlight packages, and ensure seamless transitions between live action and replays. This role demands proficiency with replay systems, quick decision-making, and a comprehensive understanding of football (for gameday position). Technical Director: Operates Ross Switchers (TouchDrive/Ultrix Acuity, Vision and Carbonite Ultra), managing video inputs and transitions during live events. This role requires experience with Ross switchers, strong leadership skills, and excellent communication skills. Video Engineer (V1/V2): Supports and maintains control room or mobile unit infrastructure, deploying and managing the signal flow, patching, and troubleshooting, ensuring seamless production operations. This role demands expertise with broadcast equipment, strong problem-solving skills, and a deep understanding of broadcast systems.   Qualifications   Required: At least one year of proven experience in operating professional AV equipment, including digital audio consoles, wireless microphones, video playback systems, cameras, and lighting Some experience with production control room systems and workflow Strong troubleshooting skills Excellent interpersonal and communication skills Ability to work effectively under pressure as needed Ability to lift 50 pounds Must be punctual and available nights, weekends, and Holidays   Preferred: Experience with Dante protocol (A1) Fall protection certification (AV Engineer) Experience with touring or rental LED systems (LED Technician)   Core Competencies Technical Troubleshooting: Quickly diagnoses and resolves technical issues during set up and operation Communication and Customer Service: Communicates well with the production team, employees, vendors, and event guests while delivering world class customer service Composure and Reliability: Works effectively under pressure and in fast-paced environments; punctual and dependable for nights, weekends, and holidays   Physical Requirements and Working Conditions Work Environment: Nissan Stadium and Titans off-property events in the Nashville metro area Physical Requirements: Ability to lift 50 pounds; ability to lift heavy equipment and work at heights, lifts, and scaffolding as required by role Schedule: Nights, weekends, and holidays     Those selected for further consideration will be contacted by someone from the Tennessee Titans.  

Location & Eligibility

Where is the job
Not specified
Location terms not specified

About this job

Posted
1 day ago
Employer
has 7 open jobs on Jobera.

Listing Details

Posted
October 22, 2026
First seen
October 23, 2026
Last seen
October 23, 2026

Posting Health

Days active
0
Repost count
0
Trust Level
55%
Scored at
October 23, 2026

Signal breakdown

freshnesssource trustcontent trustemployer trust
Newsletter

Stay ahead of the market

Get the latest job openings, salary trends, and hiring insights delivered to your inbox every week.

A
B
C
D
Join 12,000+ marketers

No spam. Unsubscribe at any time.

AV & Stadium Production Crew - Gameday Role